Elle (2016)

Elle (2016)
“Autobiographies of Violence” For years, the films of Dutch filmmaker Paul Verhoeven have been dogged in academic circles by their hyper-violence. In Hollywood films like Robocop (1987) and Starship Troopers (1997), the Fascist nature of the violence within the plot is so graphically drawn that it begins to seem as if the special effects and ...

The Martian (2015)

The Martian (2015)
“An imitation of an action that is (not) serious?” In a petulant snit in accordance with the boy-men in his movies, director Judd Apatow recently whined about The Martian winning a Golden Globe award for best comedy. The strange categorization of science-fiction was a clever marketing maneuver by 20th Century Fox to allow Ridley Scott’s ...