Twin Peaks: The Return [episode 8: Gotta Light] (2017)

Twin Peaks: The Return [episode 8: Gotta Light] (2017)
“Allegories of Television”

Passengers (2016)

Passengers (2016)
“Morton Tyldum: Science-Fiction as Misdirection” Morten Tyldum’s new film, Passengers is the best sort of science-fiction, one where it turns out the genre is irrelevant to the film’s theme. At its core, Passengers is a down-to-Earth melodrama, about the love two people find under the worst, most Existentially bleak circumstances. Passengers positions Tyldum as one ...

Ghostbusters (2016)

Ghostbusters (2016)
“And the Franchise is Still Standing!” The new Ghostbusters has garnered a stunningly negative reaction. Fans have taken the position that such films ruin their childhoods by replacing beloved male heroes with women. Among the infantile misogyny directed at the film: “Feminists ruin the world” and “Women are just incapable of being funny.” Meanwhile, a ...

Keanu (2016)

Keanu (2016)
“Oil and Smoke: The Carnivalesque Double Consciousness of Key and Peele” The first thing I do when I teach film comedy is observe that the funniest contemporary films were loathed upon their release. Critics dismissed Airplane! (Jim Abrahams and David Zucker, 1980) and Caddyshack (Harold Ramis, 1980) as sophomoric, not seeming to notice the close ...

The Witch (2016)

The Witch (2016)
“New Englanders, Out of Their Minds” Horror fans reacted to Stanley Kubrick’s 1980 film adaptation of The Shining with profound disappointment, arguing that the film’s artiness destroyed their visceral genre expectations, ones that were clearly and directly presented in Stephen King’s widely read 1977 novel. Robert Eggers’ new film, The Witch (2015) might be the ...

Trumbo (2015)

Trumbo (2015)
“The Hollywood One and a Half” The obvious importance of Trumbo (Jay Roach, 2015), the new biopic of Hollywood Ten screenwriter Dalton Trumbo (Bryan Cranston), is that it reminds us that our own chilling contemporary political climate is merely an echo of a movie we’ve regrettably had to sit through before. With Donald Trump doing ...

Mad Men: “Waterloo” (2014)

Mad Men:
Mad Men’s Season Seven, First Half: A Tale of Two Intertexts The first half of season seven of Mad Men ranks as one of the most sophisticated intertextual webs ever developed by an American television program. Don Draper frequently watches French art cinema in order to escape Madison Avenue commerce, allowing his creative mind free ...