The Ballad of Buster Scruggs: “Meal Ticket” (2018)

The Ballad of Buster Scruggs:
“Cold, Hard Facts, But No Newspaper Nor Legend” One of the most cited moments in John Ford’s revisionist Western, The Man Who Shot Liberty Valence (1962) occurs near the end: Ransom Stoddard (James Stewart) completes his confession to the town’s newspaper editor. A lawyer turned U.S. Senator, Ranse has risen to power through a lie: ...

The Romanoffs: “Panorama” (2018)

The Romanoffs:
“Matt Weiner’s Decisive Moment” There’s a continuum of narrative duration which captures the breadth of storytelling. Huge novel cycles (Les Rougon-Macquart by Emile Zola [1871-1983)] or Marcel Proust’s Remembrance of Things Past [1871-1922]) in literature, and massive cinematic works (Rainer Werner Fassbinder’s fifteen-hour Berlin Alexanderplatz (1980) or Claude Lanzmann’s nine-hour Holocaust documentary, Shoah [1985]) constitute ...

Paterson (2016)

Paterson (2016)
“A Step Up and Away for Jim Jarmusch” In my 2013 essay, “A Step Away from the Cinema: Hollywood and the Poetry of Frank O’Hara,” I attempt to theorize the relationship between the acute attention to everyday materiality in the poetry of the 1950s New York School and the normal visual operations of the cinema. ...