The Romanoffs: “House of Special Purpose” (2018)

The Romanoffs:
“The Fall of the House of Romanov; or, Rasputin, a Real Mad Man” Episode three of Matt Weiner’s The Romanoffs continues to demand attention to the way great authors construct tightly-contained short stories. In “The Importance of the Single Effect in a Prose Tale (1842),” Edgar Allan Poe praises the skills Nathaniel Hawthorne displays in ...

Maniac (2018)

Maniac (2018)
“Perchance to Dream, Televisually” One of the last major trends in American television, before it ceased to exist, was the rise of quality programming on Home Box Office. Started in the early 1970s as a way of delivering television to rural areas, by the late 1990s, HBO was creating the most sophisticated television in both ...

Elle (2016)

Elle (2016)
“Autobiographies of Violence” For years, the films of Dutch filmmaker Paul Verhoeven have been dogged in academic circles by their hyper-violence. In Hollywood films like Robocop (1987) and Starship Troopers (1997), the Fascist nature of the violence within the plot is so graphically drawn that it begins to seem as if the special effects and ...

The Martian (2015)

The Martian (2015)
“An imitation of an action that is (not) serious?” In a petulant snit in accordance with the boy-men in his movies, director Judd Apatow recently whined about The Martian winning a Golden Globe award for best comedy. The strange categorization of science-fiction was a clever marketing maneuver by 20th Century Fox to allow Ridley Scott’s ...