Gold (2016)

Gold (2016)
“Way Out There in the Blue” At the ending “Requiem” of Arthur Miller’s The Death of a Salesman (1949), Willy Loman’s neighbor, Charley delivers one of the most iconic statements on the American Dream in all of literature: “Nobody dast blame this man. You don’t understand: Willy was a salesman. And for a salesman, there ...

Why Him? (2016)

Why Him? (2016)
“Amber Ways of Gain” In Anatomy of Criticism, literary critic Northrop Frye argues that the conflict between civilization and nature lies at the center of the Shakespearean comedy. Youngsters must enter what Frye calls the “green world” in order to work out their disconnects from adult society before returning to take over political power from ...

Hidden Figures (2016)

Hidden Figures (2016)
“What Color Is Your Computer?” In his 1986 book, Grammophone, Film, Typewriter, German cultural theorist Friedrich Kittler builds a pessimistic history of communication technology by observing the nineteenth century slippage between the newly invented typewriter (whose first success came in 1868 in the post-Civil War United States), and the mostly women who soon operated the ...

La La Land (2016)

La La Land (2016)
“More Than One La La Land” The responses to La La Land (Damien Chazelle, 2016) have been predictable. There is the immediate majority, those of us who are completely enamored of its loving recreation of classical Hollywood films, such as Singin’ in the Rain (Gene Kelly and Stanley Donen, 1952), celebrations of the power of ...

Arrival (2016)

Arrival (2016)
“The Palindrome of Cinema” In his book, Seeing is Believing: How Hollywood taught us to stop worrying and love the fifties, Peter Biskind presents a four-pronged system for understanding the politics of post-war American cinema. Contrary to the conflict between the Right and the Left in Franklin Roosevelt’s 1930s, the Cold War consensus resulted in ...